Support | Resource Center | PhotoImpact Pro Producing Realistic Images with High Dynamic Range (Part 1 - Part 2 - Part 3 - Part 4) Dynamic range is the range of light that can be captured in an image, from the darkest shadows to the brightest highlights. Due to hardware limitations, however, cameras can only capture a limited dynamic range when photographing in tricky lighting conditions. For example, when you take landscape shots of a mountain beneath a clear blue sky, the photos come out far different from how your eyes see it. The resulting photos either have good exposure of the mountain but with an almost-white sky or have a blue sky but with unrecognizable dark portions. To produce a more realistic image in these situations, the common practice is to apply complicated, tedious, and time-consuming traditional photography techniques. PhotoImpact, always on the prowl for better solutions to your photography woes, now has a High Dynamic Range feature. This feature compensates for camera system limitations and tries to resolve exposure problems that photographers frequently encounter when shooting scenes that contain dramatic differences between light and shades. It produces an optimized image by combining different copies of the same scene and uses different exposure levels to extend its perceivable tonal range. To produce such an image, multiple shots with different exposures are first combined into a High Dynamic Range (HDR) image that will record the complete tonal information combined from all the shots. This information is then used to produce a final optimized image.
In this tutorial, three images will be used with varying exposures as source images to illustrate how to use High Dynamic Range. Creating a Camera
Curve Profile Note: PhotoImpact includes preset camera curve profiles for some digital camera models. If there is a camera curve profile available for your camera, you may use it without the need to create a new one Step One: In this example, three shots of a scenic ocean view were taken inside a covered porch. Notice that each photo contains different tonal ranges because of the different exposure settings. The three photos have different details on the highlight, midtone, and shadow areas. The first sample image shows some details along the front arch and well-saturated green leaves outside the railings. The higher midtones in the second shot reflect perfect blue skies but half of the image area is shaded black. In the last image, the shadow areas were properly exposed which made the brick wall finishing visible. This inversely affected the highlight areas. It washed out the clouds and the small island on the view.
When you create your own camera curve profile, make sure that you use source images with a wide exposure difference among the highlights, midtones and shadows, just like the sample images, to obtain a better reading of the camera response curve.
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